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Museum Trails The Museum released new Museum Trails for its audiences both virtually and onsite. The effort was made possible through the financial aid provided by the Ministry of Culture, Government of India. Audiences would now be able to engage with sculpture and other decorative elements in the Museum in a more meaningful manner. Trails released include Number Trails (1 and 2) and the Sun Trail. Download Trails: https://citypalacemuseum.org/collections
Painting with Poetry in Sahibdin's Rasikapriya
Painting with Poetry in Sahibdin's Rasikapriya was an online talk conducted by Ms. Molly Emma Aitken, Associate Professor, The Graduate Center and The City College of New York, CUNY, and facilitated by Assistant Curator, Ms. Chelsea Santos. The session was organized by The City Palace Museum, Maharana of Mewar Charitable Foundation, Udaipur on 29th October 2021, as part of its extended series on 'Mewar'. Associate Curator, Dr Hansmukh Seth provided the concluding remarks for this session Participants joined in from across the globe to look at how painting engages with poetry in Sahbidin's Rasikapriya to create a fresh experience of Keshavdas' masterpiece on poetry, love and the types and moods of women. |
Drawing on a collaboration with classical Hindi literature expert Allison Busch, Aitken looked at the illustrated manuscript as an integrated whole. She compared how Keshavdas' words and Sahibdin's paintings visualize settings, characters and situations and how they stimulate the feeling of eros for connoisseurs. She also compared Sahibdin's iteration of the text with contemporaneous illustrated Rasikapriyas, including the subimperial "Boston Rasikapriya," to realize how bold and innovative Sahbidin's approach was to making pictures of and for texts. Portraits, Kings, Landscape: The Practice of Painting at Udaipur
The freshly curated painting gallery at The City Palace
Museum, Udaipur was opened on 20th October 2021,
commemorating the institution's Foundation Day. Titled
Portraits, Kings, Landscape: The Practice of Painting at
Udaipur, this exhibition, curated by Dr. Shailka Mishra, with
Dr. Dipti Khera as Adviser, places paintings at the heart of
Mewar's court life. It emphasizes on the role of paintings as
going beyond their illustrative and documentary nature to
reflect not only the power and authority of the Maharanas
but also its strategic use in the self-fashioning of the Sisodia
dynasty. Particular emphasis on the Udaipur artist is
conveyed throughout the exhibition and is reflected in the
commissioned videography,
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